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What Is The Ultimate Truth? By Dr. Harsh K. Luthar

In discussions, we are often asked the question about the “Ultimate Truth”. It comes in different variations.

1. What is the ultimate Truth of Life

2. What is the ultimate Truth of Love?

3. What is the ultimate Truth of God?

4. What is the ultimate Truth of Bliss?

5. What is the ultimate Truth of Existence?

6. What is the ultimate Truth of the Universe?

I am sure there are other ways of framing similar questions.

Albert Einstein once suggested that sometimes a difficult problem or a question cannot be  answered at the  level that it is postulated. Indeed, there is a lot of support for that thought in mathematics and physics.

For example, to solve Fermat’s last theorem in geometry (for which  Fermat in 1637 claimed to have a simple proof) took over 350 years.  Many prominent mathematicians worked on it in their life times over several hundred years with no success.

Fermat’s Last Theorem

My own father worked on the Fermat’s theorem (off and on) most of his life and sent in his proof to various Math Journals. The referees found subtle flaws of logic in his papers.

In 1995, Andrew Wiles (Sir Andrew John Wiles), a British Mathematician and a Professor at Princeton released a lengthy and complex proof of Fermat’s theorem which withstood the analysis of the world’s best mathematicians.

Sir Andrew John Wiles

My father was very happy when finally the Fermat’s theorem was laid to rest.  He told me that he could not have solved it as the proof involved fields of mathematics with which he was not even familiar.

Andrew Wiles solution used very complex branches of mathematics that did not even exist when Fermat was alive and were developed hundreds of years after Fermat had passed away.  In a very real sense, the answer to Fermat’s theorem was discovered at a different level than it was proposed.

So can we answer the question about Truth at the level that it is raised? Indeed, if we investigate carefully, we are forced to instead examine assumptions implicit behind such a question. In order to answer the question of  “What is Truth?”, one has to inquire about the reality of the  level at which the question is raised.

We ask questions about the Ultimate Truth because our present condition is that of suffering. At some level, in every life, suffering is going on. There is suffering of the body, the suffering of the mind, suffering in emotions. Then there is the ultimate suffering of our not knowing where we come from, who we are, and where we are going. We are left only with the reality of our present moment to come to terms with. Running from this present moment is a futile attempt. The present moment follows us like our shadow because it is essentially our very existence.

My friends, Albert Einstein pointed out that sometimes the solution to a problem must take place at a different level than where the problem originated. Similarly, the problem of our suffering must be resolved at a different level than where the suffering originates.

We can all identify with the grief people feel and describe at the loss of their loved ones. Joy, grief, pleasure, pain, etc., are of the nature of  the body and hence unavoidable. If we meditate deeply on the nature of the Self, we can easily see that the conventional idea of Vairagya  (detachment or dispassion) has limitations.

Indeed, attempting to practice detachment from the world in a contrived way is highly problematic. Such efforts to be detached from everyday life can serve as resistance to that what is natural, and thus take our attention away from this, the present moment. Self is only found where you already are, in this very moment.

Suffering, if we can meet it without resistance, in a natural way, will have its effect but lose its power. One should be perfectly natural in self-awareness. That is the true meaning of Vairagya. Self as described in Advaita is by its very nature whole and complete and thus has nothing to attach to or detach from.

The body, on the other hand, has to go through its sorrows and joys and various experiences of pain and pleasure. One need not  judge oneself because of it. Too much judgment and self-criticism only adds another layer of suffering on top of everything else.

The state of the Self is referred to as  Sahaj or natural. Easy and natural. So if we are searching for the  truth, we are searching for that which is easy and natural.

Sri Ramana said to Paul Brunton that Sahaj Samadhi should be practiced from the very beginning by the aspirant. It means one should act and remain natural in self-awareness. All the virtues are hidden in self-awareness. The more we remain in the present moment with awareness, the separation between the perceiver and the perceived becomes thin. When Ahimsa (nonviolence) starts to dominate one’s being, the meaning of surrender to the Lord of the Heart becomes clear.

The fruit of Ahimsa with awareness is Self-Realization. It is actually only Self-Recognition. There is no new state to be realized or achieved. If Self is clearly recognized in the Heart as our own Being, we see that it is ever-new, ever full, perfect and clear stillness whose very nature is awareness that has nothing as its object.

In our natural state of wholeness, no questions or answers can arise. Hence the question of “What is Ultimate Truth?” becomes moot.

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Fait Accompli

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Fait Accompli

As the dawn blooms into the light of day
And the petals of flowers open to pray
So open your heart

As the day surrenders to the cloak of the night
In the eternal cycle of change
So too must you

As each breath you take fills you with the energy of life
Sustaining the body in which you are clothed
So you must be inhaled

As the sun shines effulgent dissolving the ethers
And the fire consumes the veils
So die to the fires

As the moon glows luminous
Softly bathing the naked earth
So stand before her

As the rain falls upon the earth
Nourishment to the soil, boon to the harvest
So drink of the nectar

As the path you walk seems laden with strife
Lessons to be learned in life
So embrace your sorrow

As the wind carries the fallen leaves
to wherever it wills
So offer no resistance

Just keep walking into the light
Sivuda:gjna le:nide: chi:maina: kuttadu
For without Ishwara’s will, Even an ant will not bite.

052904 008

“You say you offer your body,
soul and all possessions to God.
Were they yours that you could offer them?
At best, you can only say, ‘I falsely imagined
till now that all these which are yours were mine.
Now I realize they are yours. I shall no more act as if they are mine.’
This knowledge that there is nothing but God or Self,
that I or mine don’t exist and that only the Self exists, is jnana.
Thus there is no difference between bhakti and jnana.
Bhakti
is jnana mata or the mother of jnani).”

~ Ramana Maharshi~

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Inner Path – The Elephant

This post continues the series that show Arunachala’s Inner Path, used by devotees of Sri Bhagavan Ramana Maharshi for the sacred walk around this holy hill. This walking is called pradakshina, or in Tamil, girivalam.

Part One shows the path from Ramanasramam. Part Two shows the walk around the southwest side of the hill.  Part Three details the section of the path around Parvati Hill, at the west end of Arunachala. This post is Part Four of the series.

A map is below. The Elephant section of the Inner Path is shown in orange.

Arunachala Inner Path The Elephant

Note from the map that this section of the Path has many small streams that cross it. The terrain here features small ‘hills’ as you enter into and out of the creek bed. These creeks are all pretty small, and only have water when it rains.

It is in one of these that Sri Ramana found the banyan leaf, and followed the stream upstream, only to be stung by hornets, and then abandoned his search for the banyan tree.

Starting from the Frog Pond

The Frog Pond is dry by mid March when these pictures were taken. The season is getting hot, so  we started early and were here by 7 AM, before the sun rises over Arunachala. The bright sun can be seen behind the ‘trunk’  of The Elephant. We will have sunlight in a few minutes.

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The Path starts off across an area pretty dry and flat.

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Looking to the right side, first you see the gap between Arunachala and a small hill. There is a path over this gap that is shown in A Path Across Arunachala.

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Looking behind is Parvati Hill, and the pass at the other end of the hill. This is where the original Path was. This is shown in the postings: Kattu Siva Path Renewal – Part 1 and Kattu Siva Path Renewal – Part 2 .

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Next the Path crosses the first of many creek beds …

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Then rises up to the Northside Catchment Basin. Notice that there is a path across the basin that is usable much of the year. Some people take this path here.

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The main route of the Path goes to the left, and follows along the dirt berm that makes up the retaining wall for the catchment basin.

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Walking across this berm, farmers’ fields come right up to the path. This is the only place where this occurs.

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In the photo below, looking over the basin, a big rock can just barely be seen rising through the trees. On the other side of the basin here is a trail nexus where a number of paths go towards and along the mountain side. This is shown better in Under the loving gaze of The Elephant.

There is an old small trail next to the mountain in this area that we call ‘The Inner-Inner Path.’ This will be detailed in subsequent postings. Easy exploration can be done here.

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Between the Path and the fields, the farmer has made ‘fences’ of dry thorny branches. This keeps cattle from entering the fields. 

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At the end  of the basin the Path crosses another dry stream bed …

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Then goes off across the gentle hills. 

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In this section a power line crosses the Path. This is the only place where this happens.

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Now the sun is starting to  rise above the Holy Hill, and there is better light for photography.

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The Path lights up …

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And crosses yet another creek bed. We walk down and up the little hill.

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Looking to the left, the gopuram of Adi Annamalai Temple rises through the trees.

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Often this man will be seen, asking for coins. Sometimes it looks like he is working, clearing rocks off the Path and doing other work to improve the Path. 

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Looking to the left of the Path, not a house can be seen. More mountains rise up on the horizon. There is no motor noise here; all we hear are bird songs.  

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The Path proceeds across the hillside.

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Looking towards Arunachala, a rocky hill can be seen in the foreground, rising from below. More places to explore. I have seen a group here, up on one of the rocks. It seems they were with a teacher and meditating.

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Past another creek bed. This on has a stone wall to prevent erosion. These are seen in other places as well. This is all a part of the task of protecting the hillside and bringing as much water into the water table as possible.

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The Elephant is in the background. A face of the hill rises in the foreground. Water can be seen flowing down rock faces during the rainy season.

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The Path winds on.

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And on.

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We are getting close to the face of the hill that rises here.

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Reminding us of the desert-like environment, here is another cactus, well protected from the heat that is soon to come.

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Just barely visible here on the hill face is a small white box. This once housed an idol. This idol has been taken by vandals. You can walk up to this spot and get a great overlook of the surrounding area.

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On the other side is a steeper area of the rock face. Back towards this hill it is greener, a sign of better water. There is a trail that leads into this greener area. Sometimes village women can be seen carrying bundles  of dried grasses down this trail.  The local people know the plants that can be used here, and make good use  of everything.

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Now the angle between the trunk and head of The Elephant has  become more acute. This means we are nearing the end this section of the Inner Path. I think of this as the ‘Elephant Compass’ and use the angle as a way to know where I am on the Path.

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The Path continues to wind through the countryside.

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The ‘Elephant Compass’ gets yet more acute. Getting closer to the end the of the section. 

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Now, through the trees, houses can be seen far away. Road  noise is also sometimes heard.

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The Path continues through the dry brush. 

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Look at the ‘Elephant Compass’ now. Where are we? We’re reaching the end of this section.

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Looking back, we can see the hill face rising behind us. There is a  big area on this side of the hill that needs to be explored. This will be done in other posting, later.

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Down a bit more of the Path.

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A stone post with a painted Inner Path marker defines the end of The Elephant section of the path. Sometimes camphor will be seen burning in a pit on the top of this post. Notice that there are paths that lead both to the right and the left here. One set goes  towards the road, the other towards the mountain. The Inner Path goes straight, past the post.

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The next section of the path, we call ‘Trees.’ We will post this soon.                          

Related Posts   

Inner Path – Southwest Side
I
nner Path – South Side from Ramanasramam
Inner Path – Around Parvati Hill 
Under the loving gaze of The Elephant
Adi Anamalai Temple

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Body And The Universe: By Madathil Rajendran Nair

Close your eyes and still,
Feel your body
Part by part.

And, as you begin to drown
In slumber’s sweet hold,
Mountains pop up,
As do vales, waterfalls
Green trees, vast landscapes,
Stars and the Milky Way.

The body is all that,
Part by part!
The body is the Universe,
You are the body
And you are all!

A magnificent pulsation
Without parts and
Without a beyond!
Be just aware
And remain
Your own ecstatic self.

[Inspired by the poem “We Encountered The House Of Realization”  by Yunus Emre (1238 – 1320)]

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ULLADU NAARPADU (Reality in Forty Verses) – #s10 & 11.

ULLADU NAARPADU
(Reality in Forty Verses)

The famous Vedantic poem in Tamil by Bhagavan Ramana Maharishi
(consisting of two preliminary verses called Mangalam,
40 verses which form the main text ,
and another 40 verses called the Appendix)
Detailed Commentary in Tamil by Lakshmana Sharma,
adapted into English by Profvk

(Continued from ULLADU NAARPADU – Verse No.9
See Post #48214 Of Harsha Satsangh.
For the first post in this series see #47923)

Lakshmana Sharma’s Introduction to Verse Nos.10 & 11.

We have just said that duads and triads are all unreal. The most important duad is the pair ‘jnAnam-ajnAnam’. Among the triads the important one is: ‘knower, known and knowing’. These also are unreal. In addition to explaining that in the state of Self-Realisation these don’t survive, the main topic of this work is called ‘Self-Knowledge’ (Atma-jnAnam). Therefore the meaning of the word ‘jnAnam’ is taken up for explanation in the four stanzas 10 to 13.

Of these four, the first one below explains how all the knowledge that is accrued by an ajnAni is nothing but ajnAnam (ignorance), and not jnAnam (true knowledge). ‘Knowledge of the Self is the only Knowledge’ says Verse #10. So we get the meaning that any knowledge of non-Self is only ignorance. That except for the Self-Knowledge all other things are only ajnAnam is further clarified in verse #11.

Verses #10 & #11

aRiyAmai viTTu aRivu inRu Am;
aRivu viTTu avvaRiyAmai inRu Agum;
‘anda aRivum aRiyAmaiyum Arkku’ enRu
ammudalAm tannai aRiyum aRivE aRivu.

aRivu uRum tannai aRiyAdu;
ayalai aRivadu aRiyAmai anRi, aRivO?
aRivu ayaRku AdhArat-tannai aRiya
aRivu aRiyAmai aRum.

Translation (Lakshmana Sharma)

#10. Knowledge is never and nowhere in the world separate from ignorance, neither is ignorance at any time and for any one separate from knowledge. True knowledge is the awareness of the original Self, which becomes manifest by the Quest ‘Who is this I in the form of Ego to whom belong both of these’, nothing else.

#11. How can the knowledge of objects arising in relative existence, to one that knows not the truth of (himself) the knower, be true knowledge? If one rightly knows (the truth of) him in whom both knowledge and its opposite subsist, then along with ignorance (relative) knowledge also will cease once for all.

Translation (Prof. K. Swaminathan)

#10. There is no knowledge without ignorance; and without knowledge ignorance cannot be. To ask, `Whose is this knowledge? Whose this ignorance?’ and thus to know the primal Self, this alone is Knowledge.

#11. Without knowing the Self that knows, to know all objects is not knowledge; it is only ignorance. Self, the ground of knowledge and the non-Self, being known, both knowledge and ignorance fall away.

Translation (Osborne)

#10. Ordinary knowledge is always accompanied by ignorance, and ignorance by knowledge; the only true Knowledge is that by which one knows the Self through enquiring whose is the knowledge and ignorance.

#11. Is it not, rather, ignorance to know all else without knowing oneself, the knower? As soon as one knows the Self, which is the substratum of knowledge and ignorance, knowledge and ignorance perish.

#10. Word by Word

aRiyAmai viTTu : Separated from ignorance
aRivu : knowledge
inRu Am.:can never be
aRivu viTTu: Separated from knowledge
aRiyAmai: ignorance
inRu Agum. there never is.
Arkku: Whose (or, to whom)
anda aRivum: (belong) that knowledge
aRiyAmaiyum: (and) ignorance ?
enRu : (By questioning) thus,
aRivE :that knowledge alone
aRiyum : that knows
ammudalAmtannai: the ‘I’ in the form of Ego which is the source of everything
aRivu: is the (true) Knowledge.

#11. Word by Word

aRiyAdu: Without knowing
aRivu uRum tannai :the truth of the self who knows (tan, tAn: one’s own; self)
aRivadu: to know
ayalai : all else (foreign to Self; non-self)
aRivO? : Is it Knowledge
aRiyAmai anRi : other than Ignorance ?
aRiya : (Once we ) know
AdhArattannai : the root-source
aRivu ayaRku : For both knowledge and the non-self (the known thing)
aRivu aRiyAmai : (the duad of) knowledge and ignorance
aRum: will perish.

#10. Tamil Commentary by Lakshmana Sharma

The two words ‘knowledge’ and ‘ignorance’ refer to the knowledge and ignorance of worldly matters and things. These two arise from the Ego as pointed out in the last verse. They appear to be true so long as the Ego is live. But the Ego vanishes in the state of Self-Realisation; so knowledge and ignorance are unreal.

The worldly knowledge is not jnAnam, as we usually think. It is only ajnAnam (Ignorance). One reason for this is stated here; namely, knowledge and ignorance form a duad – one cannot be isolated from the other. Things that form a duad have this property of non-separability. In the same manner worldly knowledge and ignorance are inseparable. When we have knowledge of one thing there is ignorance of another thing. What is knowledge for one may be ignorance for another. In other words the concepts of knowledge and ignorance are impermanent. All such knowledge belong to the Ego which is the root of all Ignorance. So all these are only ajnAnam.

Two more reasons will come out in the next stanza. ‘I know, I don’t know’ –these are statements of the JIva; but they arise only in the state of non-realisation of the True state of the JIva which is the Atman. When the Atman is realised, the knowing and non-knowing disappear. Therefore they are both ajnAnam.

Further ajnAnam itself is a non-existing entity. It is our delusion that creates it. This will be explained in Verse #13.

Since now we have said that whatever we think as jnAnam (knowledge) is actually ajnAnam (ignorance), the question arises: What exactly then is jnAnam? Whose are these two kinds of ajnAnam? The reply to this will come as: “It is for me”. “Who is this I?” is the next question which is the basic question for the Self-Quest. If one makes his mind one-pointed in that quest, the result will be the destruction of the ego-centric I. This is jnAnam. The words ‘mudalAm tan’ of the verse mean this Ego. This is the one which is the source of all the body, mind and intellect. When this ego is destroyed, the ever effulgent pure experience of the Atman will manifest without any obstacle. This is the true state of jnAnam. It is by the destruction of the Ego that this state becomes one’s own: — this is explained in Verse #27.

‘Separated from Ignorance there is no Knowledge’ — In these words of the verse the word Ignorance may also mean the ‘I-am-the-body’ feeling that constitutes the Moola-ajnAnam (Root-Ignorance). From this one can interpret that worldly knowledge occurs only to those who have no knowledge of the Atman and that those who have the Self-Knowledge would not have the worldly knowledge.

#11. Tamil Commentary of Lakshmana Sharma

The ‘I’ that says “I know the things of the world” is the chid-AbhAsa, (relected Consciousness) the false feeling of ‘I’. It is like the snake seen on the rope, or the son of a barren woman. It is totally unreal – we saw this earlier itself. It will be again explained later. It is none other than the Ego. To quest in search of the source of this Ego is the means of attaining jnAna, that is mukti. He who does not know himself by this means is not the knower of the real Self. He thinks that this chid-AbhAsa is the Atman. This is the root-ignorance (moola-ajnAnam). Those who are subject to this do not know the world as it truly is; therefore whatever he knows as knowledge was said to be ignorance only.

A devotee asked Bhagavan: “How can we say the world that we see directly is unreal?”. Bhagavan replied to him: “The world laughs at you because it says ‘How can you, you who do not know yourself, know the truth of me?’”. The way the jnAni knows the world and the way the ajnAni knows the world are totally different – this will be known by the verse #18. The ajnAni ignores the groundbase-Brahman (adhishTAna-brahman) and cognizes the superposed (Aropitam) names and forms and their differences and takes them as real, thereby imprisoning himself in bondage. For the jnAni however, only the base-brahman manifests. So the jnAni does not incur any bondage.

Thus there are two kinds of ajnAnams in ajnAnis. One is the ignorance known as ‘Ignorance’. The other is the ignorance known as ‘knowledge’. Both these have to be eradicated. It is ignorance to think that one of them should go and the other should remain.

There is another reason for contending that both these are ajnAnam. Both are destroyed at the onset of Self-Realisation. This is the content of the last two lines of this verse.

In other words in the state of Self-Realisation, both these don’t exist.

In the text, the word ‘ayal’ which means ‘foreign’ has two interpretations. Ignorance is the opposite of Knowledge, is one. The other meaning is: ‘It is the known that is thought of as distinct from the knower’. The mind which takes the place of knower and the known worldly matter which is manifested by it — the source for both is the Ego. And its Truth goes back to the Atman.

(To be continued in Verse No.12)

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Ramana Maharshi: The Master of Silent Teaching: By Gabriele Ebert

Editor’s note: Because Gabriele Ebert’s native tongue is German, I had to edit the article. If there are any mistakes in the article, I accept complete responsibility. Please bring any such errors to my attention and these will be corrected right away.

Master and Disciple

The characteristics of a spiritual master is that he leads his disciple toward experience of the eternal truth by way of teaching. In Hinduism this is called upadesa (spiritual teaching, spiritual instruction). But master and disciple have to harmonize with each other, i.e. the master must be able to transmit his teaching whereas the disciple must be ready to grasp it and put it into practice. Otherwise, the relationship of master and disciple will bring no fruit.

In giving instructions to the student, medium of speech normally plays an important role. However, in spiritual instruction and transmission to the prepared student, according to Sri Ramana, speech is not the most potent means. Indeed, the sage of Arunachala is known as the great master of silent teaching.

A visitor said: “Bhagavan says, ‘The influence of the Jnani (Self-Realized one)steals into the devotee in silence.’ Bhagavan also says ‘Contact with great men, exalted souls, is one efficacious means of realising one’s true being.”

Ramana responded: “Contact with them is good. They will work through silence. By speaking, their power is reduced. Silence is most powerful. Speech is always less powerful than silence. So mental contact is the best.”

And on another occasion Ramana pointed out the potency of such teachings outside the verbal medium: “Such mouna [silence] is not inertness but great activity. It is the most powerful speech.”

Silent Teachings – Heart to Heart Instructions

The silence (mouna) Ramana talks about is not just absence of speech. It is when the mind/ego becomes silent, free from thought, and comes to rest in the Self.

If the ego/mind is fully absorbed in the Self, it will not appear anymore and assert itself as a separate identity. Such a one in whom the ego has been fully vanquished is called a Jnani. He will stay in the Self and will no more return to an ego-centered state. The ‘I’ working through him/herself is no more the little ego-I, but the Self of God. In his booklet “Who am I?” Ramana says: “It is this state, where there is not the slightest trace of the ‘I’-thought, that is the true Being of oneself. And that is called Quiescence or Mouna (Silence).”

Only who rests permanently in this silence can also transmit his teaching in silence. The disciple is not yet in this state, but he yearns for it above all. Through the silence of his teacher he is guided into his own heart, the source of the ego, to that ‘place’ from where this impermanent ego-I arises and submerges again.

In the beginning, the disciple will become silent, and enter for a short in the same state in which his master permanently rests. In this state, he finally experiences his own true nature. In this silence he starts to understand the truth. This is the Heart to Heart instruction.

This is a different path than the one of eloquent speeches and lectures of popular swamis and gurus.  This is the direct path of experience. This is the pathless path, and only suitable for mature seekers. Ramana states that for most seekers verbal instruction is needed.

“Silence is the best Upadesa (spiritual teachings), but it is suited only for advanced students. Others are unable to draw full inspiration from it, therefore they need words to explain the Truth. But Truth is beyond words. It does not admit of explanations. Lectures may entertain individuals for a few hours without having an effect upon them, whereas the result of silence is permanent and benefits all. Even though it is not understood, that does not matter. Oral lectures are not so eloquent as silence. It is unceasing eloquence. The primal master Dakshinamurti is the ideal and he taught in silence.”

Ramana and Dakshinamurti

Ramana was often identified with Dakshinamurti, who is the youthful Siva and represents his ascetic aspect. He is considered as the Guru of all Gurus, sitting under a Banyan-tree in silence. The four disciples, who seek his guidance, are “old”, i.e. they are ripe and Dakshinamurti teaches them in silence alone.

Ramana writes in his two verses on Dakshinamurti:

“Who is the youthful guru beneath the banyan tree?

Very old are the pupils who seek him.

The handsome teacher’s speech is silence.

Cleared are all the pupils’ doubts.

Under the wonderful banyan tree shines the youthful

guru. Aged pupils come to him. Silence is this teacher’s

speech. Gone are the doubts in the pupils’ minds.”

The following episode from Sundaresa Iyer’s reminiscences illustrates Ramana’s way of silent teaching:

“It was a Sivaratri Day. The evening worship at the Mother’s shrine was over. The devotees had their dinner with Sri Bhagavan, who was now on His seat, the devotees at His feet sitting around Him.

At 8 p.m. one of the Sadhus stood up, did pranam (offered obeisance), and with folded hands prayed: ‘Today is Sivaratri Day; we should be highly blessed by Sri Bhagavan expounding to us the meaning of the Hymn to Dakshinamurti (stotra).’ Says Bhagavan: ‘Yes, sit down.’

The Sadhu sat, and all eagerly looked at Sri Bhagavan and Sri Bhagavan looked at them. Sri Bhagavan sat and sat in His usual pose, no, poise. No words, no movement, and all was stillness! He sat still, and all sat still, waiting. The clock went on striking, nine, ten, eleven, twelve, one, two and three. Sri Bhagavan sat and they sat. Stillness, calmness, motionlessness – not conscious of the body, of space or time.

Thus eight hours were passed in Peace, in Silence, in Being, as It is. Thus was the Divine Reality taught through the speech of Silence by Bhagavan Sri Ramana-Dakshinamurthi.

At the stroke of 4 a.m. Sri Bhagavan quietly said: ‘And now have you known the essence of Dakshinamurti Hymn?’”

Ramana’s own Spiritual Experience

Ramana’s way of teaching in silence arose from his own spiritual experience. At the age of 16 he suddenly had a kind of death-experience, through which he spontaneously realized the Self.

One day, when he was all alone at home, unexpectedly and without reason an unmistakable fear of death caught hold of Ramana. But instead of seeking help from outside he turned within and asked, who was it, that is going to die and if death of the body means also death of himself. Suddenly the shell of the ego dropped off forever. From then on, he was certain, that in truth he was the Self (Atman, God, the Absolute, or whatever name one might like to give it). His attitude towards the world changed completely. Ramana had become silent in the deepest sense of the word.

Soon after he left his home in Madurai and went to the holy hill Arunachala, which he venerated since childhood. He settled down and stayed there until his death.

In the first few years at Arunachala Ramana was silent and completely absorbed in this truth, which was his inner most and real Being. Withdrawn from the world, Ramana remained in perpetual samadhi while the insects fed on his body. His body was kept alive by a few people who by the grace of God happened to be around and noticed this teenager doing what they believed was intense tapas (spiritual practice).

Ramana did not start teaching of his own accord. If people would not have noticed him and sought his company or advice, he perhaps never would have become known. But the spiritual seekers who came within his orbit felt instintcively that he was a great sage, a rishi, a Maharishi, the One, who was a great seer and who lived the truth and was completely authentic.

Sincere people started to come to Ramana with their questions. The silent Sage answered them, at first only by writing down his answers. But slowly in response to the aspirations of those around, Ramana returned gradually to speech, and using words to teach.

Ramana always emphasized that the highest teaching is transmitted in silence. Ramana never called himself a guru or Maharishi. In His view there were no master and disciples. However, the students who gathered around him were overwhelmed by the brillaint luster and the peaceful radiance of the great sage of Arunachala. Ganapati Muni, one of most powerful intellect and spiritual personalities of the time was the first to call Ramana a Maharishi (Great Seer).

As Ramana adapted to his surroundings, he  gradually became more and more open to talks.  In the Hall, where he could be met days and nights, philosophical topics were vividly discussed. Pundits came with their questions. His followers like Ganapati Muni, were superb adepts of the holy Hindu-scriptures – and the answers which Ramana gave fill many volumes. At times the Hall was also a workshop of artful peotry. Politics and themes of everyday life were discussed as well.

Though Sri Ramana was a master of silent teaching and silence (mouna) is seen as an important means in Hinduism, he dissuaded his devotees from taking a vow of silence. Nevertheless Major Chadwick, one of the Western devotees of Ramana made plans to do so.

This amusing story is found in Major Chadwick’s reminiscences: “During the war I decided that I would like to do so, chiefly to protect myself from the jibes of others. I went and asked Bhagavan’s permission. He was not enthusiastic and told me that it was useless to keep the tongue still but to continue to write messages on bits of paper which so many so-called Maunis (silent ones) continue to do. In this way only the tongue had a rest but the mind continued just as before. I said that I had no intention of doing this but would throw my pencil and paper away. I felt that I had obtained a reluctant consent as Bhagavan agreed that people were worrying me. So I made the necessary arrangements, installed a bell from my room to the kitchen so I should not have to call my servant, and fixed a lucky day to begin.

The night before I was to start, a friend of mine brought up the subject in the Hall after the evening meal when only a few of us were present. Bhagavan immediately showed his disapproval and said it was unnecessary and in fact not a good thing at all. I did not talk much anyhow. It was better to speak only when it was necessary, that it actually did no good to observe silence, that if one did so for twelve years one became dumb and might obtain some thaumaturgic powers, but who wanted them? Speech acted as a safety valve. Naturally after this talk I gave up the idea.”

The Power Of Silent Look (Darshan)

Many people came to be in Ramana’s silent presence, without asking him questions or talk to him. His look was extraordinary intense and penetrating directly into the hearts. The cook Shantamma reports the following example:

“One morning a European came in a horse carriage to the Ashram and went straight to Bhagavan. He wrote something on a piece of paper and showed it to Bhagavan. Bhagavan did not answer; instead he gazed at the stranger with unwinking eyes. The stranger was staring back at him. Then Bhagavan closed his eyes and the stranger also closed his. They stayed without moving. At mealtime the meals were served but Bhagavan would not open his eyes. Madhavaswami, the attendant, got Bhagavan’s water pot and stood ready to lead Bhagavan out of the Hall. Bhagavan would not stir. We felt afraid to go near, such was the intensity around him. His face was glowing with a strange light. The guests in the dining hall were waiting and the food before them was getting cold. Chinnaswami was talking loudly to attract Bhagavan’s attention. Even vessels were banged about, but all in vain. When the clock was striking twelve Bhagavan opened his eyes. They were glowing very brightly. Madhavaswami took up the water jug; the European got into the carriage and went away. It was the last we saw of him. We did not even get his name.”

Silence is the Eternal Stream of Speech

In “Talks” many quotes of the Maharshi can be found, which make clear, that silence is the actual, direct and eternal speech, which flows heart to heart.

“Silence is ever-speaking; it is a perennial flow of language; it is interrupted by speaking. These words obstruct that mute language. There is electricity flowing in a wire. With resistance to its passage, it glows as a lamp or revolves as a fan. In the wire it remains as electric energy. Similarly also, silence is the eternal flow of language, obstructed by words. What one fails to know by conversation extending to several years can be known in a trice in Silence, or in front of Silence – e.g., Dakshinamurti, and his four disciples.

That is the highest and most effective language.”

Elsewhere it is stated: “Silence is never-ending speech. Vocal speech obstructs the other speech of silence. In silence one is in intimate contact with the surroundings. The silence of Dakshinamurti removed the doubts of the four sages. Mouna vyakhya prakatita tatvam (Truth expounded by silence). Silence is said to be exposition. Silence is so potent.

For vocal speech, organs of speech are necessary and they precede speech. But the other speech lies even beyond thought. It is in short transcendent speech or unspoken word, para vak.”

On 20th July 1936 Ramana had the following talk:

A visitor asked: “What is mouna (silence)?”

M.: “Mouna is not closing the mouth. It is eternal speech.”

D.: “I do not understand.”

M.: “That state wich transcends speech and thought is mouna.”

D.: “How to achieve it?”

M.: “Hold some concept firmly and trace it back. By such concentration silence results. When practice becomes natural it will end in silence. Meditation without mental activity is silence. Subjugation of the mind is meditation. Deep meditation is eternal speech.”

D.: “How will worldly transaction go on if one observes silence?”

M.: “When women walk with water pots on their heads and chat with their companions they remain very careful, their thoughts concentrated on the loads of their heads. Similarly when a sage engages in activities, these do not distrub him because his mind abides in Brahman.”

Major Chadwick reports the following episode: “A gentleman from Kashmir came to the Ashram with his servant who could not speak a word of any other language except his native Kashmiri. One night when the Hall was almost dark except for the pale glimmer of a single hurricane lantern, the servant came into the Hall and stood before Bhagavan in a respectful manner jabbering something rapidly in his own language. Bhagavan said nothing, but lay quietly gazing at him. After a while the servant saluted and left the Hall. Next morning his master came to Bhagavan and complained, ‘Bhagavan, you never told me you could speak Kashmiri, was it fair?’

‘Why, what do you mean?’ asked Bhagavan. ‘I know not a single word of your language.’

Bhagavan aksed the gentleman how he had got hold of this absurd idea and the latter explained: ‘Last night my servant came to you and asked you several questions in his language. He tells me that you answered him in the same language and cleared his doubts.’

‘But I never opened my mouth,’ Bhagavan replied.”

Another story: “When Bhagavan Sri Ramana was staying in the Virupaksha Cave, a District Collector and a Deputy Collector went there for his darshan. After prostrations to Sri Bhagavan, the Collector began to speak, narrating at length all that he had read and done by way of sadhana [spiritual practice], and at the end confessed that in spite of all that, peace was as far from him as ever before. No sooner had he finished than the Deputy Collector started to tell his story and stopped only after saying all that he had to say. These two conversations took quite a long time, but Sri Bhagavan did not interrupt them even once, observing strict silence all throughout.

Seeing that neither of them got any reply from Sri Ramana, the Collector once again delivered a long harangue and stopped only when he was at the end of his resources. Yet not a word passed from the mouth of Sri Ramana. The Collector was a little put out at this, and drawled out: ‘We have been speaking to you since long, but you don’t open your lips at all! Will you please tell us something at least?”

Then, Sri Bhagavan spoke: ‘All the while I have been speaking in my own language. What can I do when you won’t listen to it?’

The Collector was intelligent and he caught the meaning of Sri Ramana’s cryptical reply. He was overpowered with devotion and fell down at the feet of Sri Bhagavan, chanting the following (Sanskrit) verse: ‘Strange (sight) under the banyan tree! The disciples are all old and the Guru is youthful; he expounds (the Truth) in Silence and the disciples are freed from doubts!’

Then both of them sat before Sri Bhagavan in silent meditation. They got the peace they were in search of and departed fully satisfied at the outcome of their visit.”

Silence and Inspiration

This silence of the Heart is no dead silence, but also the source of all inspiration. Sri Ramana inspired Ganapati Muni in his writing of the last part of his major poem ‘Uma Sahasram’ just by silently sitting with him. Sundaresa Iyer reports the story in detail:

“Sri Kavyakanta [Ganapati Muni] had composed 700 stanzas of Uma in some thirty different meters, and had announced to his devotees in various parts of the country that this poem would be dedicated on a certain Friday in the Shrine of Sri Uma in the great Temple of Sri Arunachaleswara. Over a hundered persons gathered at the Pachaiamman Temple so as to be present on the occasion. … At about 8 p.m. on the evening before the dedication day, after supper, Sri Maharshi asked Sri Kavyakanta whether the dedication would have to be postponed to some other Friday, as 300 verses were still to be composed to complete the thousand. But Sri Kavyakanta assured Bhagavan that he would complete the poem immediately.

The scene that followed can hardly be believed by one who did not actually witness it. Sri Maharshi sat silent and in deep meditation like the silent Lord Dakshinamurty. The eager disciples watched in tense admiration the sweet flow of divine music in Sanskrit verse as it came from the lips of the great and magnetic personality of Sri Kavyakanta. He stood there delivering the verses in an unbroken stream while disciples eagerly gathered the words and wrote them down. … The ‘Sahasram’ was finished in several meters. … For a while the disciples present enjoyed the deep ecstasy of the silence pervading the atmosphere, as Sri Kavyakanta concluded with the normal type of colophon. Then Sri Bhagavan opened His eyes and asked, ‘Nayana, has all that I said been taken down?’ From Sri Ganapati Muni came the ready and grateful response ‘Bhagavan, all that Bhagavan inspired in me has been taken down!’

Silence and Self-Inquiry (Atma Vichara)

Sri Ramana taught self-inquiry (atma vichara) as the most effective spiritual practice. For the spiritual practitioner both – atma vichara and silence – belong inseparably together. Atma vichara is the active spiritual practice, which leads – together with the influence of the guru, to this silence. Ideally both complement each other (practice and influence of the guru) – as is the case with devotees of Sri Ramana Maharshi.

Ramana has described the method of atma vichara in his booklet “Nan Yar?” (“Who am I?”). The I in the question relates to the original I-feeling of the human being. Ramana says, that this I is the first thought, on which all other thoughts and feelings are based.

But this I-feeling is no continuous entity, as there are also times, when it is absent, so for example in deep-sleep. Ramana explains, that the mind, i.e. this I-feeling arises from the Heart and submerges therein again. With the question “Who am i?” the mind turns to its own origin. But no answer, which the intellect might give can be accepted. Ramana assures us, that with continuous practice the ego will dissolve in the Self – though this is no more in the hands of the practitioner. One day the ego will be rooted out and just drop away. Ramana has repeatedly pointed out this path as the most effective among all.

Teaching in Silence is not bound to Time and Space

One might ask, if with the bodily death of the Maharshi his silent teaching of the Heart to Heart transmission as well came to an end. Does this kind of contact with Him continue or have we to go on search for another master?

Before his death Ramana said: “I am not going away, I am here!” Again and again he assured his devotees, that the body is not the guru and that it does not matter for the jnani, if he is in the body or not. So his bodily death did not end his spiritual guidance.

When in 1950 Sri Ramana died of cancer, his devotees scattered to the four winds. The Ashram was deserted, so that even in daylight thieves could break in and loot. Only slowly the truth of Ramana’s words dawned on the devotees. The power of the Silent Truth and transmission again brought the devotees together to Ramanashram.

This continues today. People are still drawn towards Ramana Maharshi and open themselves to his silent guidance and to self-inquiry as taught by him.

Sources

This article is the translation of: Ebert, Gabriele: Ramana Maharshi: Der Meister der schweigenden Belehrung, in: Wege der Stille, Hamburg 2008)

Iyer, T.K. Sundaresa: At the Feet of Bhagavan. – Tiruvannamalai, 1980

Mudaliar, A Devaraja: Day by Day with Bhagavan. – 3rd repint. – Tiruvannamalai, 1989

Ramana Maharshi: Collected Works. – 9th ed. – Tiruvannamalai, 2004

Ramana Maharshi: Words of Grace (Who am I?, Self-Enquiry, Spiritual Instruction) . – 3rd ed. – Tiruvannamalai, 1996

Ramana Smrti Souvenir: Ramana Maharshi Birth Centenary Offering 1980. – 1.ed. – Tiruvannamalai, 1980

Sadhu Arunachala (A.W. Chadwick): A Sadhus Raminiscences of Ramana Maharshi. – 4th ed. – Tiruvannamalai, 1994

Talks with Sri Ramana Maharshi. – 9th ed. – Tiruvannamalai, 1994


Mudaliar: Day by Day, 9.3.1946

dto., 29.4.1946

Words of Grace, p. 4

Sadhu Arunachala: A Sadhu’s Reminiscences of Ramana Maharshi, pp. 63f

Miracle of Dakshinamurit, in: Collected Works, p. 148

the „night of Siva“, high Siva-feast

Iyer: At the Feet of Bhagavan, pp. 29f

Sadhu Arunachala: A Sadhu’s Reminiscences, pp. 91f

Shantamma: Eternal Bhagavan in: Ramana Smrti, 1.ed., Ramanasram [p. 83]

from Talk 246

from Talk 68

Talk 231

Sadhu Arunachala: A Sadhu’s Reminiscences, p. 65

Silent Speech in: The Mountain path, 1995, p. 37

Recent Books by Gabriele Ebert are:

Ramana Maharshi: Sein Leben, Stuttgart, 2003

Sadhu Arunachala: Erinnerungen eines Sadhus, Berlin, 2004 (German transl.)

Both books are available at amazon.de and can be ordered from each German book-shop.

Gabriele Ebert is a well known  Ramana devotee. Gabriele is a German librarian, scholar, and a painter. Please go to the following link to see her beautiful article on icon paintings full of inspiring pictures.

https://luthar.com/icon-painting-as-a-spiritual-path-by-gabriele-ebert

Gabriele is a long term member of HarshaSatsangh (Harshasatsangh@yahoogroups.com) which is the largest Ramana Maharshi Internet Group on the web. Gabriele has been active in Sri Ramana groups for many years. She has served as an inspiration and a role model for all of us with her dedication to the interfaith approach to spirituality.

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In His Grace

721guruvayurappan

Pahi Pahi Gopa Baala

ragam: anandabhairavi    thaalam: Aadi
Composer:  Shri  Sundara Narayana

Pahi Pahi gopa baala vaasudevaa Krishnaa
Krishnaa protect me protect me, cowherd boy son of Vasudeva

Dehi maam Kaarunyam Guruvayoorappa
Guruvayoorappa, Give me your blessing and be kind to me.

ahivara shayana viswapaala devaa Krishnaa
Krishna, who sleeps on the great snake,( Anantha )
and who takes care of the whole world,

vihara mama hrudi wisvaroopa Devaa
Reside in my heart oh Deva, the lord of the world.

mahithabaahu phalguna saarathi devaa Krishnaa
Krishna who is the charioteer of the great Arjuna,

vihasitha saarasamukha Deva devaa
Lord of Devas,who is always smiling and has a beautiful face like a lotus

suhsitha sundaraanana vaasudevaa krishnaa
Smiling baeutiful faced son of Vasudeva Krishnaa

mohansareera pahi neeradanga
Please protect me, Krishnaa who is smiling and beautiful
and who has blue coloured body like the cloud.

Paahi divya vaarijaksha vaasudevaa krishnaaa
Protect me, holy one, lotus eyed son of Vasudeva, Krishnaa

Dehi sharanam nityam bandhuraanga
Oh one who has a shining body,please give me protection always.

aadyantha rahitha sarva jeeva paala Krishnaa
Oh , Krishna, one who has no beginning or end,who is the protector of all lives,

Veda swaroopa paahi tham namaami
One who is the embodiment of Vedas, protect me. I bow to you.

Vaathagehey viraajitha vaasudevaa thava
Son of Vasudeva, who resides in Guruvayoor

paadamooley dehi mama anthimaalayam
Please give me my final abode under your feet.

Sa Ri Ga Ma Pa Da Ni Sa
“Pahi Pahi Gopa Baala,” our teacher sang. We followed the words as we learned the bhajan, “Pahi Pahi Gopa Baala”…  “Vasudeva Krishna”…. “Vasudeva  Krishna.”   She continues leading us as the class progresses and she sings all of the two verses which are on the page of this new bhajan in my new class, carnatic singing class.  We will go through the bhajan phrase by phrase, kind of like kirtan.  At the end of class, she always graciously sings it through  so I can record it, as much for the pronunciation as for the melody and rhythm. Ever since I began attending temple at the Chinamaya Mission, I have always been drawn to the music.  Music has always been in my heart and I studied classical  piano and violin for most  of my youth and young adulthood.  I even spent a good portion of my college years majoring in music education until I did a turnabout in my senior year, and switched to psychology. How I ended up in law school is another story.  But music never left me, bound together as we were. (In my adulthood, I also played electronic keyboards in a rock band playing music written by my ex-husband, a far cry from where I am now, but a learning experience in playing without the music written note by note for me! )   So, I was thrilled to be starting this new class, where I could learn devotional singing.

I look around me…there is one catch. I am the only adult in the class, surrounded by young girls and boys just beginning their study as well. Sa Ri Ga Ma Pa Da Ni Sa,  the syllabic equivalent to the western scale, Do Re Mi Fa Sol La Ti Do.   But this will not be the first or the last time I am the child with children, so I might as well get used to it.  After a bit, I stop feeling uncomfortable and the class becomes more comfortable with me.  After all, I do stand out a bit to them with my blond hair and blue eyes.  But the Lord knows no limits on His love and the Self  has no form, so here I am,  just where He wants me. And as we move on and the groups merge, there are a few adults in the new batch.

When I stopped taking classes to focus on kirtan I slowly began to pull out some of the bhajans I had learned in class.  I did not want to lose all of what I had studied so hard to learn and I decided that now since I did not have to study new bhajans, I would pull out the old ones I had learned and also learn to accompany myself on the harmonium. I could also slow down and really study them one by one, learning the raga and memorizing the words more fully.  Pahi Pahi was always one of my favorites. But something was missing…I had the words (sahityam) and the melody to the song (swara) , but no translation.  I have this thing about translation of the words I sing…I like to know what I am singing. I had looked online and elsewhere, seeking a translation of the words I had and had come up with a rough idea of the first two verses which I had, but did not get much further and wanted to be sure it was correct.

So, when I was invited to join a Krishna bhakta  devotee group early this year, specifically a group dedicated to Guruvayurappa, I decided to ask to see if anyone had any idea who wrote the bhajan, since it referenced Guruvayurappa, one of the manifestations of Lord Krishna.  That was all I knew about Him in this form.  Swamiji at the Mission had told me that the man who wrote Pahi Pahi was from South India, and had written many bhajans, and had suffered a stroke and was paralyzed.  So, I wrote to the list looking for both the name of the  composer and help with the translation to the words which I posted.  I don’t ask for much, do I?

In His Grace
Well,  The Lord does have His way of granting wishes, or does He have His way of implementing His wishes?   He wanted me to be in that group,  and my wish was granted, even more so than I could have imagined when I made my request…I have reproduced below a small excerpt from what I wrote to the list looking for the words and the composer…this was on January 6th…

“It is really a beautiful bhajan and I would like to have the translation. First and foremost, for myself, so I know what I am singing to Him:-), and for anyone who happens to be there, so they can read along and know what I am singing to Him. I understand that it was written by a gentlemen in South India who also wrote a number of other bhajans and then succumbed to a stroke which paralyzed him. If this is so, considering the beauty of the song, I can only believe that in his paralysis, he is in His Grace. If anyone knows his name, I would like to add it to the lyrics…and if anyone can help me translate some more of the words, I would be so very GRATEFUL… Jai Shri Krishna!!!

The very next day, January 7, not only did I get the name of the composer, I got the composer himself!  As it happened, his wife, Dr. Sreedeviji Menon, is a member of the group and read my email, and wrote to me on the list that it was her husband who had written the bhajan. She also shared that he suffered a stroke in 2003, as well as a major heart attack in 2006 and had to undergo triple bypass heart surgery in 2007. Says Shrideviji…

“At one point he was very critical for one week, ironically because of the indecision of the doctors on what to do. But he prayed to Guruvayurappan that he will write more songs in praise of HIM and then the doctors gave the right medicine and he improved!!  He is almost back to his usual self now and he wrote about 15songs since then. We completely surrender to HIM for whatever it is in store for us.  Though he was initially completely paralysed, with God’s Grace he is able to walk with a cane and is selfsufficient and able to travel with little help. “

And furthermore, there were more verses, which they were kind enough to later sent me along with a translation of all of the verses (the bhajan is in Sanskrit).  It is common to sing only parts of a bhajan and you will see this online in youtube videos quite frequently in carnatic and other devotional music.  I must say I was really touched by this wonderful synchronicity and I am 100% certain was a gift from the Lord so that this  music could be heard by more people, beautiful as it is. I must admit I cried quite a bit that day in gratitude.

The story of Shri Menon is another wonderful example of His Grace and how He operates in unexpected ways,  in this case through Shri Menon for all of us who are graced to hear His music as expressed through the blessed composer through whom He speaks… another excerpt from his Sreedeviji Menon is below…

My husband, Narayanankutty Menon had no knowledge of classical carnatic music,no special education in malayaam, and only high school education in sanskrit. He had never written a poem till the age of 60. He never used to go for any classical concert.  As everybody else from our native place he used to go to Guruvayur whenever possible. We used to hear carnatic songs while travelling in the car. He had a very good sense of thaalam [rhythm or time signature] which he found out when our daughter was learning bharatnatyam.  A few days after he was 60 years old, one night, he had a dream that he was singing classical music in the kizhakke nada [Eastern entrance]  of Guruvayur temple.  He told me about it the next day..I told him that is just a dream because I knew he could not sing one line even in sruthi!!  The next day, the dream repeated. He said that Guruvayurappan told him to write classical carnatic music about HIM in simple language so that ordinary people can understand. HE wanted these songs to be propagated among the devotees. The dream repeated a few times. So he asked our friend, a music teacher. She said jestingly to write Hari OM Narayana and let us see. He did it and in a few days, he was listening to a song, in raga, reethigowla, when he suddenly got one song in his mind and he wrote it down immediately. He asked the musician who is our friend to look into it. One line in anupallavi [a section of the bhajan form]  did not come out right , she said.  Anyway, he wrote 6 songs within two weeks. He wanted to get guidance from the Lord whether he should continue writing.  So he submitted this to melsanthi of Guruvayur temple through one of our friends in Guruvayur. The priest gave the papers back with prasadam inside. To his dismay, the line which was thought to be wrong had disappeared from the paper because of the prasadam!!  Suddenly he was able to correct it and our friend approved of it!

Hearing his story, Dr. Omanakutty, a great devotee of Guruvayurappan kindly consented to sing these songs in Melpattur auditorium and make CDs. Now he has written more than 200 songs and a dance drama Manjulacharitham, which was performed in Melpattur auditorium by Noopura dance school in Calicut. Many of the listeners of these songs tell us they get mental peace and joy ,which gives us gratification. He still wonders if he is writing these songs!!  Guruvayurappan’s leelas are unfathomable !”

This is Sri Sundaranaraya’s website…he goes by this name, partly taken from his childhood nickname, Sundaran    www.gananjali.net

Go to this website and click on Krishna Bhajans section on the navigation bar on the left hand side for a traditional carnatic rendering of the bhajan with all of the lyrics above.   http://www.guruvayoor.com

You can also watch a video of my rendition of the first two verses during live kirtan.  Special thanks to Nancy on drums and Veo singing response vocals.

Click on the link  to watch the video…  http://www.youtube.com/watch?v=zhphgUKxLlY

pahi-pahi-1-082

OM NAMO NARAYANAYA!!!

In His Grace by Joyce Sweinberg

 

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ULLADU NAARPADU (Reality in Forty Verses) – Verse #9.

ULLADU NAARPADU
(Reality in Forty Verses)

The famous Vedantic poem in Tamil by Bhagavan Ramana Maharishi
(consisting of two preliminary verses called Mangalam,
40 verses which form the main text ,
and another 40 verses called the Appendix)

Detailed Commentary in Tamil by Lakshmana Sharma,
adapted into English by Profvk

(Continued from ULLADU NAARPADU – Verse No.8
See Post #48178 Of Harsha Satsangh)

Lakshmana Sharma’s Introduction to Verse No.9

The Ishvara and JIva spoken of here constitute a dual pair. They consist of two opposites, like light and darkness. Ishvara is all-knowledgeable while JIva has only a scanty intelligence; they differ in many other respects. So they form a pair. Knowledge and ignorance, good and evil, happiness and misery, inside and outside, are each a pair (Sanskrit: dvandva). Such pairs or dualities are numerous. The world is full of differences because of these dualities. Further, when we visualise an Ishvara, there are three different things, namely, the seer, the seen and the sight. These three constitute a triad (Sanskrit: tripuTi) or trinity. Triads also are innumerable. And they too create differences in the world. We have to enquire whether these differences are real or unreal. If they are unreal, it will confirm that the world is unreal. This is conveyed by Bhagavan in this verse.

Verse #9

iraTTaigaL, muppuDigaL, enRum onRu paRRi iruppavAm;
avvonRu Ethu enRu karuttinuL kaNDAl
kazhalum avai; kaNDavare uNmai kaNDAr,
kalangArE, kAN
.

Translation (Lakshmana Sharma)

The triads all arise depending on the ego-sense; so too arise the pairs. If one enters the heart by the Quest of ‘Who is the I?’ and sees the truth of it (the Real Self) all of them vanish utterly; such a one is the Sage; he is not deluded (by them).

Translation (Prof. K. Swaminathan)

`Twos’ and `Threes’ depend upon one thing, the ego. If one asks in one’s Heart, `What is this ego?’ and finds it, they slip away. Only those who have found this know the Truth, and they will never be perplexed.

Translation (Osborne)

The duality of subject and object and trinity of seer, sight, and seen can exist only if supported by the One. If one turns inward in search of that One Reality they fall away. Those who see this are those who see Wisdom. They are never in doubt.

Word by Word

iraTTaigaL: Pairs (like knowledge & ignorance, pleasure & pain)
muppuDigaL:Triads (like knowledge, knower & the known)
enRum : always
iruppavAm: hold alive, exist
onRu paRRi: supported by (some) one (namely, the ego )
Edu: Whence (is)
avvonRu: that one
enRu: thus
karuttinil : in the bottom of the heart
kaNDAl : if one finds out
avai ; they (the dualities and trinities)
kazhalum: slip away
kaNDavarE: Only those who thus see (the truth)
kaNDAr: have realised
uNmai : the Absolute Truth
kalangArE : they are not deluded (by the dualities and trinities)
kAN : Know this (to be the truth).

Commentary (by Lakshmana Sharma)

Pairs and triads all arise in the mind. In every pair, when one rises, the other (of the pair) also arises simultaneously. In the same manner, in every triad, when one rises, the other two of the triad also rise alongside. And similarly, when they die they die together – the two of the pair together and the three of the triad together. In sleep where the mind is absent, there are no duads or triads. Therefore they are all constructs of the mind. And at the bottom of all thoughts in the mind there is the thought of ‘I’. Always this thought arises only in respect of a form or body (see verse #25). This is what is called the Ego (‘ahamkAram’ or ‘ahamtA’ in Sanskrit and ‘akanthai’ in Tamil). It will be explained in the sequel. Thus, pairs and triads, all have their roots in the Ego. In the words ‘onRu paRRi iruppavAm’ in the first line of the verse the word ‘onRu’ (meaning ‘one’ in general, but here in the context meaning ‘some one thing’) stands for this.

In a later verse (#26), it will be shown that this Ego is the original source for all world-appearances.

All the differences of the world that hide the Atman, the Existent Reality, have their seed in this Ego. If this is destroyed, everything vanishes and the Real Nature of the Atman shines. This is the content of this entire work.

What is the means by which this Ego may be destroyed? The means is the quest for the source of the Ego. This comes up in verse #27 and succeeding verses.

That source is what is mentioned in the second line of this verse by Bhagavan. In order to know the truth of this Ego one delves inside; the mind dives into the heart and merges into it. Then one realises the Self. The ‘finding out’ in the bottom of the heart (‘karuttinil kaNDAl’) is nothing but this experience. ‘The dualities and trinities slip away’ says the verse; this shows that in theturIya of Self Realisation these do not survive. In other words in absolute truth (pAramArthika reality) they are not real. Only so long as the feeling or attitude of ‘I am the body’ is there they appear to be real – just as for the dreamer the dream is a reality while dreaming.

Those who see thus realise the absolute truth. This shows that such a seer is a jnAni. Not only that. Because he sees no differences – he does not see them – he is not perplexed by this mAyA of the world. The delusion caused by these differences is only when Ego is alive.

Thus all the differences have their root-source in our Ego; in Self-Realisation the Ego has vanished; therefore the mental constructs of dualities and trinities all vanish. And the only thing that remains is the Atman. All this go to confirm that the world is unreal.

(To be continued in Verse #10)

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Paradox Of The Mind: By Alan Jacobs

“Oh Mind, do not waste your life in roaming outside, pursuing wonders and wallowing in enjoyments. To know the Self through grace and to abide in this way firmly in the Heart is alone worthwhile.” [1]

This relevant quotation leads us to consider that what we term ‘mind’ can be conceived as a great paradox. From one standpoint it is a benevolent friend but from another it is a malicious enemy. Continue reading

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No-mind and the cinema screen analogy. By Mourad Rashad

All Zen masters and Zen sutras insist that enlightenment is having “No-mind.”  The late D T Suzuki composed a book with the title “The Zen Doctorine of No-mind”.

What does “No-mind” mean?

Does it mean that I am transformed to an idiot or a moron?

No, we can see clearly that all Zen Masters are neither idiots nor morons; then what does “No-mind” signify?

To answer this question; one has first to understand deeply what does it mean to have a mind – to have a mind to depend on- then we can glimpse no-mind. This mind that I depend on is ambitious and intelligent and has a library of accumulated and stored up knowledge. The ambition of the mind uses its intelligence and the stored up knowledge to derive out of this two things:

First, I derive the ability to hope for more, the desire for more and the greed for more. Secondly, the sense of being clever and intelligent, a sense from which I derive pride, I derive excellence, I derive uniqueness, I derive superiority, arrogance and conceit.

As a natural result of enjoying what I derive from my mind I get more and more glued and attached to it to the extent that I become absolutely identified with mind and think that I am the mind. This mind is me, it represents me. Without this mind I am lost. This mind is my identity; I become identified with the mind.

I encounter life with this inner structure of mind, with this identification with mind. Every new encounter with life, with its successful rewards affirms this mind of ambition/pride cocktail. It affirms “me”. This sweet affirmation of “me” creates the need for more excellence and more uniqueness. I become addicted to affirming “me”, my identity, myself. From now on, all the activities of man have one sole aim, which is affirming the ambition/pride cocktail of “me”. Now I am the mind, “me” is the mind. Vice versa, every failure, every pain, and every calamity that results from encountering life can not but be swallowed bitterly, I can not dodge, because of being identified with mind, glued to the mind.

If I can rid myself, just from the ambition/pride cocktail derived from this mind. The whole panorama will change, how? And to what?

Now a crucial question, if I rid myself from this ambition/pride cocktail; I will be at risk, I will be threatened, I might even starve and die. My answer to you will be: have you seen the birds of the sky, the fish in the see, they live and function beautifully and are never burdened by the fears of living. We humans carry this burden, while the whole existence does not.

Do we still think that man is intelligent? However, man does not want to live like a fish or a sparrow, man wants more.

Any way, if this mind rids itself from the ambition/pride cocktail, this mind will stop running in the channels that feed it, and you will stop depending on it for anything. Your identification and attachment to that mind will thus be severed and you will stand with “No-mind” of your own. Now this new mind which is no longer yours or any one’s will function as it should be, not as you wanted it to function. It will only reflect WHAT IS, not your ambition/pride cocktail. This new “mind”, this no-mind, is the cinema screen. To stand un-identified with mind is no-mind. This no-mind is the cinema screen of Sri Ramana Maharshi; the famous analogy in advita. This no-mind is what Lao Tzu calls the spirit of the valley. Verse no.6 of the Tao te Ching says:

The spirit of the valley never dies. It is called the subtle and profound female.

The gate of the subtle and profound female,Is the root of Heaven and Earth,

It is continuous and seems to be always existing.Use it and you will never wear it out.

Why is it called the spirit of the valley? It is non-material and  non-physical. In the same time it is able to recieve, it never transmitts, just like the valley that receives the rain.   This subtle and profound female, this no-mind, this unidentified, this cinema screen; it always receives, the cinema screen does not transmit anything. Just like the female, always receptive, always passive and never positive. This cinema screen, this no-mind  only reflects what Is and It was never separated from the Divine or what Is at any moment of time. Nevertheless, this subtle and profound female, this cinema screen was obscured by the ambition/pride cocktail. To stand as the cinema screen, to remain as no-mind is to be in perpetual contact with the Divine and opens the doors to the infinite secrets of the universe. To be always a no-mind, a cinema screen, means that you have known the eternal, that never changes nor disappears.